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Tuesday, February 27, 2018

Paterson

Here's a movie about writing that I'd heard much to get excited about. It uses real poetry from Ron Padgett, a poet whose poetry can be fun, and it was supposed to be realistic about the writing life and poetry. 

Most of the drama gets buried or is held out of view. Sometimes a glimmer of what may be the conflict arises, but it's a red herring. The poet's partner gets involved in projects: first, decorating (house, apparel); then cupcakes; then guitars. Is the conflict going to be her revolving, sometimes costly interests? In a word: No. The bus breaks down, and everyone mills around waiting for the next bus. Are we going to see how miserable life can be as a laborer of the lower class and everyone feels obligated to complain to/at you? No. A group of gangsta guys warns Paterson his dog might get stolen. Was that a foreshadowing or a warning of what those guys planned to do? No. His girlfriend warns him his poetry might get lost; he should make copies. Seventy percent into the movie, a gun is drawn (the guy's girlfriend doesn't act scared--she seems more dubious). Is that it? Is that the central conflict? No.

The most interesting aspect of the film is the composition of poetry. Even then, the poetry is written, not rewritten or tumbling down blind alleys, so we don't get a full sense of the poet's mind at work. However, we do get glimmers of the poet's inspirations.

Someone somewhere will say that conflict is overrated. If so, why not stare at a waterfall or a still photograph? We humans deal with conflict daily--not that we crave it (well, at least not most of us), but that we have to find ways out of it. We have dreams. Things don't go as planned. We have loves, but other humans don't see the world/situation as we do.

In the film, we could have started closer to the conflict and examined the repercussions in his life. Surely, his loss will make him at least a little irritable, causing other problems.

The quotes below summarize the movie, and you might wonder if you're following the right character although there are some nice parallels and minor details of interest like the mailbox and twins. The trailer makes it look like it's a little more thrilling.

The movie is well rated on both IMDB (7.4) and Rotten Tomatoes (96%), so don't take my word for it (there might have been one time when my feeling about a movie matched Rotten Tomatoes over IMDB). Those numbers match my expectations--not a thrill but poetically inspiring (which it was) and intellectually stimulating and perhaps moving. I suspect that many love the low-keyness, the cinematography (Laura's designs are kind of cool), the idea of poetry as subject matter (includes Real PoetryTM!), and the lack of conflict. If you ask what's going on inside him, your answer might differ.



Quotes:
Donny: Ready to roll, Paterson?
Paterson: Yeah. Everything okay?
Donny: Well, now that you ask, No, not really. My kid needs braces on her teeth, my car needs a transmission job, my wife wants me to take her to Florida but I’m behind on the mortgage payments, my uncle called from India and he needs money for my niece’s wedding and I got this strange rash on my back. You name it, brother. How about you?
Paterson: I’m okay.

Man in Low Rider: That’s an English bulldog, right? A dog like that get dog-jacked, majee.
Paterson: Well, it gives me something to look forward to, I guess.

Doc [looking at the chessboard]: I got my ass kicked a bit.
Paterson: Who are you playing?
Doc: Myself.

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